A Bosnian-Norwegian artist working with conceptual art dealing with decoloniality and globalization, genocide, migration, sexism, exile and trauma, Dukic‘s work confronts the politics of representation, reproduction and distribution of images and knowledge in mass media. He is interested in questions of global inequality and structural violence and examines the role of image reproduction as a key instrument in the subjugation of knowledge, revision of history, and biased role in wars and genocide. The Exposure of Concentration Camps in Bosnia, addresses misconceptions of war images, stories and violence, questioning the role of representation, mass media, and repression, when addressing sites of trauma, victims and genocide. The artwork examines four concentration camps: Omarska, Keraterm, Trnopolje and Manjaca in the region of Prijedor and the current Republika Srpska, especially highlighting 1992 when the camps were “discovered” and exposed by an international team of journalists. Through the exploration of the sites of trauma and the (mis)representation of their histories in the international media, the artist looks at signs of representation: photographs, news coverage, material and physical evidence and accounts from survivors. Dukic deploys the paradigm conceptual art to revisit memory, denial, fragments of evidence as a way to move towards historical clarifications. Dukic holds a BFA from the Oslo National Academy of Fine Art, he has exhibited in Oslo, Trondheim, Ramallah, Bogota and NY.