A Norwegian artist and photographer educated from the Trondheim Academy of Fine Art and Norwegian School of Photography. Hatling’s thesis explores the relationship between the gaze of modern technology and spatial experience; he posits that through modern technology new visions are created, and the idea of our present is changing. The research explores how the use of aerial photo, street views and the possibilities to easily share images, is defining our interpretation of our surroundings. All the while, imagery is mostly presented through screens, and new ways to interact with the screen, like through virtual reality goggles. Using the photograph as a starting point, he has moved through studies of light, reflections and composition. By using mirrors as a photographic tool, he has endeavored to reproduce the photographic gaze and a three-dimensional reproduction in the framed image, in order to create a new vision, linking the photograph to a cubistic understanding of experienced present. His process deconstructed and reconstructed photographic material captured over time. For the Master of Fine Art graduation exhibition in Gråmølna, Hatling is showing two works made of inkjet print on pine wood. Both consisting of a multiple number of photographs, assembled into two different objects.